Generative and New Media
486 Shorts
486 Shorts stems from a personal interaction with an ordinarily closed off part of a common machine.By getting inside the black box (the casing of an archaic 486 computer), LoVid reached the physical location where signals are passed. Connections were made on the circuit board of the video card, using wire to produce short videos. Recordings made from these shorts were then edited into 486 short clips, each corresponding to one of the physical shorts.
486 Shorts is a limited-edition LikeLike release of 486 DVDs, each lovingly packaged in etched-cardboard and hand-harvested circuitboards.
Epic Doom (Black Metal City)
Diffusion of responsibility is a social phenomenon that occurs in groups larger than a critical size. Unless accountability is explicitly assigned, each member's sense of personal responsibility for group welfare sharply declines as the group reaches a size of approximately 150 members. This phenomenon is a common reaction to our society's many environmental crises, resulting in anxiety or apathy. However, because social structures are complex systems, societal ills are necessarily emergences: They arise out of the small (seemingly negligible) actions and interactions of individuals.Epic Doom is both a comment on and an illustration of societal ills as emergent phenomena. It is a generative sound- and video-installation that processes the physical actions of visitors and passersby (using an emergent generative algorithm) and re-presents those actions in real time. Through this process, it provides an illustration of human agency and implicates the individual as a harbinger of evil ..even as "no one raindrop thinks it caused the flood".
Giraffe
Giraffe is centered on a program which, in real-time, generates unique, audible solutions to a problem of post-tonal music theory and composition: How can one traverse pitch-class space in the most musically meaningful way? Giraffe (written in Pure Data) generates emergence via the interaction of rule-based agents, to produce a harmonically rich four-part texture. Agents detect several quantified musical features in the context of predetermined thresholds, and fire in response to critical values. Using this neural-like algorithm, Giraffe addresses the issue of creating musical coherence through emergence, thereby navigating the tetrachords in an aesthetically compelling manner.Short Station
Short Station is an educative performance and installation.Digital Intelligence & Analogous Interactions
Digital Intelligence & Analogous Interactions
digital emergence and social-interaction analoguesNEW YORK -- Analogous Projects is pleased to present Digital Intelligence & Analogous Interactions, a group show opening at 5:00 p.m. on June 2nd at Devotion Gallery in Williamsburg, as part of the International Computer Music Conference (ICMC). Works include three committee-selected ICMC AI pieces by Brett Balogh (Chora), Scott Mc Laughlin (Shoals), and Steve Bull + Scot Gresham-Lancaster (Cellphonia), as well as additional complexity-driven works by Nick Lesley (Epic Doom) and Philip Galanter (RGBCA).
The audiovisual installations and performative social activities present evolutionary- and generative-art as a tool for social sculpture and immersive gaming. An ICMC AI concert will take place on May 31st at Issue Project Room as a preface to the exhibition, with committee-selected works by Arne Eigenfeldt (In Equilibrio), Jon Weinel (Entoptic Phenomena), Will Orzo (Giraffe). Together, these ICMC AI events draw inspiration from performative ecologies, musical improvisation, reality-based games, social experiments, neural networks, and swarm-optimization.
Digital Intelligence & Analogous Interactions opens at 5:00 p.m. on June 2nd at Devotion Gallery (54 Maujer Street, Brooklyn, NY, 11206) with a performative social activity by Scott McLaughlin (Shoals). Please bring a laptop with WiFi capability and audible sound. Admission is free and open to the public. Refreshments will be served.
Open Saturdays and Sundays from 1:00 p.m. to 7:00 p.m. Showing at Devotion Gallery on 54 Maujer Street in Williamsburg (L to Lorimer or G to Metropolitan). Admission is free and open to the public.
ICMC AI Committee
Marie Evelyn (Chair)Jenny Torino (Assistant Chair)
Douglas Repetto
Galen Joseph-Hunter
James McDermott
Kurt Gottschalk
Philip Galanter
Zach Layton
Press Materials
EXHIBITION: Opens 5:00 p.m., Wednesday, June 2nd, 2010. Through June 13th.At Devotion Gallery, L to Lorimer, G to Metropolitan.
PERFORMANCE: At 8:00 p.m., Monday May 31st, 2010.
At Issue Project Room, M/R to Union.
OPENING FLYER: http://www.AnalogousProjects.org/storage/project-pages/DigitalIntelligenceAnalogousInteractions.jpg
PRESS RELEASE: http://www.AnalogousProjects.org/storage/project-pages/diai-PressRelease.pdf
MEDIA RELEASE: http://www.AnalogousProjects.org/storage/project-pages/diai-MediaRelease.pdf
FULL PRESS KIT: http://www.AnalogousProjects.org/storage/DiAiPressKit.zip
CONTACT: Marie Evelyn at Marie@AnalogousProjects.org
Analogous Interactions: ICMC 2010 Welcome Concert
Analogous Interactions: ICMC 2010 Welcome Concert
at the intersection of computer music and emergent phenomenaNEW YORK -- Analogous Projects and Issue Project Room present three selected submissions exploring the intersection of computer music and emergent phenomena, as part of the International Computer Music Conference 2010. Drawing inspiration from performative ecologies, musical improvisation, reality-based games, biomedical hacking, and chaordic systems, each nondeterministic work will be performed live following a short conceptual introduction by the composer.
At 8:00 p.m. on Monday, May 31st, 2010 at Issue Project Room on 232 3rd Street in Gowanus. Admission is free and open to the public.
Presented Works
In Equilibrio (Arne Eigenfeldt) is a realtime generative composition for either Disklavier or sampled piano, created by Kinetic Engine, a multiagent software designed by the composer. Responding to control over density, the first set of six agents interact to create an evolutionary rhythmic structure, communicating amongst themselves and altering their patterns in an effort to balance their own goals with those of the other agents. Rhythmic events are passed to a second set of six agents, which assign specific pitches: these decisions are mediated by their own desire to explore their environments, while balancing the ensemble goal of an artificial harmonic balance.Entoptic Phenomena (Jon Weinel) is one of several works which utilise The Atomizer, a specially designed live electronics patch for laptop which facilitates the improvisational production of streams of Sonic Atoms. Sonic Atoms are a concept created by the artist La Peste for his flashcore music, and are considered as a means through which to explore complexity through micro rhythmic pulses.
Giraffe (Will Orzo) is centered on a program which, in real-time, generates unique and audible solutions to a problem of post-tonal music theory and composition: How can one traverse pitch-class space in the most musically meaningful way? Giraffe (written in Pure Data) generates emergence via the interaction of rule-based agents, to produce a harmonically rich four-part texture. Agents detect several quantified musical features in the context of predetermined thresholds, and fire in response to critical values. Using this neural-like algorithm, Giraffe addresses the issue of creating musical coherence through emergence, thereby navigating the tetrachords in an aesthetically compelling manner. This performance of Giraffe illustrates the concept of integrative levels, by building upon the emergence already inherent in the program itself: A group of improvising musicians interact with Giraffe for the first time, before a live audience.
ICMC AI Committee
Marie Evelyn (Chair)Jenny Torino (Assistant Chair)
Douglas Repetto
Galen Joseph-Hunter
James McDermott
Kurt Gottschalk
Philip Galanter
Zach Layton
Press Materials
DATE AND TIME: 8:00 p.m., Monday, May 31st, 2010.LOCATION: Issue Project Room at 232 3rd Street in Gowanus. M/R to Union.
VENUE CALENDAR: http://issueprojectroom.org/2010/05/12/icmc-2010-analogous-interactions-ai-welcome-concert-with-arne-eigenfeldt-jon-weinel-and-will-orzo/
CONFERENCE SITE: http://www.icmc2010.org/open-call.html#analogous
CONTACT: Marie Evelyn at Marie@AnalogousProjects.org





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